Future tense Martin Kane A futuristic world looks back. Author's note: Anyone wishing to contact me may do so via the DtV messageboard for Readers & Writers. I invite anyone to send any comments, good or bad, should they wish to. I'm always interested in what others think of my little tales. Copyright is mine. I'd be flattered if anyone wanted to use this tale elsewhere, but please seek permission first. Needless to say this story is purely a fiction and all characters merely the products of an overwrought imagination. I'll abstain from the adult content warning, if you've got this far, you're certain to know what kind of thing to expect anyway. * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * The party is in her apartment, a luxury condo building on the North side of town - above the Business District. Suki has tipped the doorman and he wears a tin-net, pre set to all the ID cards of the guests. He greets them all personally, the earphone tipping him off each time a guest arrives. He directs them to the private elevator, which she has rented for the night. The elevator man takes their coats and personals, offering each guest a drink from the auto-bar, so when they arrive on her floor, the elevator opening directly into her apartment, they already feel like they're at the party. It's the little details that make the overall impression. Opulence and luxury - the best the modern world has to offer. She knows how to do corporate entertainment, it's her business after all, and she's spared no expense. The decision to host this gathering here is nothing to do with the added expenditure of hiring a more conventional hall or building. It's about the intimacy of the effect (though make no mistake here, her rooms are certainly spacious enough for the seventy or so guests.) Though the building is state of the art, and comes equipped with an auto-bar in every conceivable location necessary (even in the elevators no less!) she had hired bar staff and a traditional style wooden veneer assembly. Fully equipped with whichever drink or drug you could possibly desire. Suki herself stands in an authentic, antique gown - pure silk. She delicately sips on a glass of vintage, taking the occasional discreet snort from the tube attached to her wrist with a small silver chain. The alcohol does nothing for her as she has an implant filter in her stomach. The drugs however provoke a gentle rush, sharpening her mind and making her fingers tingle. The sensation is pleasantly akin to the adrenaline rush these events always give her. She has her own tin-net wired, giving her the heads up whenever another guest is arriving. It also prompts her with any necessary data on each individual client, though she rarely requires it. She has hand picked the guest list herself and knows each of their files intimately. As they each arrive, she greets them amiably, a hearty smile and quick, friendly kiss, instantly breaking the ice and dropping any potential businesslike formality. In fact, her tongue has been in more mouths this evening than in the preceding month. She made sure to visit her oral hygienist this morning, as well as the obligatory stylist. Once inside, the guests are treated to a view from the main entrance hall, overlooking the vast city beneath them. Those who have not seen it before are suitably awed. There are of course a few who feign nonchalance but no one could truly be indifferent to such a sight, no matter how many times they'd seen it. There are hired entertainers, just to ensure that the party goes with a swing. Two kung-fu mimes battle each other in tai-chi slow motion. It is a display of grace and beauty coupled with a physical strength close to that of ballet that is necessary for them to hold such poses at such a controlled and precise speed. A close-up illusionist wanders around, offering cards and coins. But such has been done before, and few are impressed by his dexterity, no matter how accomplished. In one of the function rooms, a large broadcast screen dominates. This is clearly the home cinema system but the seating has been removed due to the bar set-up. It displays bestial pornography, more an inkling of the hostess' sense of humour than her personal tastes. (One assumes.) The volume is mercifully mute, and so does not detract from the band. Two bar-staff serve. They are both young and pretty, their naked bodies smooth and perfect. The hues of pink and blue of their painted flesh a reflection of traditionalism, when once the two genders were each signified by such. The waiters and waitresses are also coloured so, two male and two female, kept modest only by the use of body paint. They have obviously been selected for their sexual allure. Each is as genetically perfect as any standard could possibly exact. The band themselves perform in the parallel function room. A classical combo of a full drum set and three guitars - bass, lead, and rhythm. They are radio-jacked into the apartment's own sound system, the angry noise thumping out of every wall giving the impression that you are immersed in sound. The educated amongst the guests nod their head in approval of the subtle nuances of harmonies within clashing scales. The augment is chained up. Her wrists are bound with heavy leather cuffs that are chained tightly to a hook somewhere up on the high ceiling. Her arms are stretched above her head though slightly apart. They are huge. She wears leather, a kind of bondage-chic. The tiniest of bikini tops in black leather, the straps of metallic twine. Steel glimmers within the immaculately fine design moulded to encompass her breasts. And what breasts. Prominent and sizeable, yet with a forceful jut and solid weight absent from less muscled physiques. Her shoulders and neck are also huge, keeping in proportion to the massive arms. The sheer power shimmering away within then, brimming just beneath the surface, is intimidating to say the least. Her torso is the triangular wedge of ancient athletes, but more pronounced due to her overstated musculature. Though not the tiny and unnatural circumference of the modern day modified designer-models, in comparison to her awesome shoulders, her waist is small. Though still pulsing with muscle. Her belly is a rippling wash of abdominals so hard and defined they look as though they could repel bullets. And so smooth - polished - they look like steel. Another leather and metal garment covers her modesty, though only just. This outfit is designed to display after all. And the legs. Thicker than those anyone here has ever seem. Muscles like no others. They look as though some surgeon has mistakenly let animal genetics into the mix - some huge and all-powerful beast - for surely muscles like that cannot be possible on a human scale. Yet the flesh is human, there is no doubt of that. Despite the extreme nature of their power and development, they are a perfect example of shape and design. It is as though someone had taken the most beautiful legs of a modern day designer-model, the most perfectly sleek and toned. And then turned the volume up to a hundred. Exaggerated every aspect of them to come up with these incomparable limbs. On the whole, she is the most extreme, formidable, astounding and breathtaking being any one of the guests has before lain eyes upon. She stands silently, bound and stunning. Her sight is impeded by a blindfold of black velvet; her head tilted forward a little as though trying to compensate for this handicap with her remaining senses. The guests move around her, taking in the wondrous sight, trying to comprehend what they're seeing and all that it means. Suki found this particular wonder at a show. She was researching for such acts, as well as spending her evening winding down after a heavy business meet - kicking back around the fringe areas. It was where she had come across some of the more obscure talents she had presented. It was a show recalling the lost vaudeville acts of old. Most of the performers were forgettable but she'd seen this woman and been instantly struck dumb. The floor had a cosy and intimate atmosphere. There were a number of tables around the stage. Suki was sat close. Old-fashioned style raconteurs entertained the audience between a variety of dance numbers, musical performances, a psychic, a staged suicide, which she couldn't quite be sure was genuine or not. And then the primitive. She had lumbered onto the stage, ape-like, and dressed applicably in cloth and animal print. She carried a rough club and moved simian across the stage. She raised her arms, swinging the club, her amazing muscles flexing massively. A monologue ran over the action, suitably tinged with reverb, smoke and dingy, smog lighting. 'In the early days, when the world was young - life was a daily struggle for survival. Only the strongest would thrive.' She gave an appropriately primeval growl and flexed her muscles again. It went on. She defeated a reasonably impressive animate model dinosaur, every motion and step she took on stage merely an excuse to flex her muscles once more. The performance art continued in this vein until switching suddenly to more modern times, a more civilised age. She quick-changed through a bubble of smoke and lighting, into a sophisticate, suddenly appearing, dragging on a cigarette through a holder, tights and top hat, tuxedo and tie; plush velvet. What was commonly known as the Marlene Dietrich look, after one of the original heroes of the broadcast age. Her act became sultry, a seduction of movement and dance. Each kick of the leg or shimmy was designed to highlight her musculature but now it was done with a focus on sensuality rather than brute strength - an appreciation of the aesthetics of the display. Not that strength was discounted. After she'd shown off to a slow swing number, she lifted the cane she'd been dancing with, to show that it was in fact an iron rod. She removed the jacket to show off her arms and massive torso once more, a sleeveless blouse that was cut off beneath her prominent bosom. From what she could remember of fashion history, Suki was pretty sure that the Dietrich look didn't include such garments but she let it go. Given that humans and dinosaurs were millions of years apart, such a small detail was probably unimportant. Anyway, who's to complain when the result if a view of arms and belly like that? She let a few members of the audience examine the rod - test it for strength. Suki was one of the lucky few, getting so close to that fantastic physique that she thought her heart would explode within her chest. The rod indeed was solid. There was no way anyone could bend it with their own simple brute strength, no matter the size of their muscles. But she was wrong. First the woman half bent it, forcing her arms around the bar, turning the corners in. Her arms bulged obscenely as she exerted her strength. It looked as though the biceps would actually burst through the skin, they were so huge and swollen. She forced the two ends of the metal together, moulding it with her indomitable strength. The audience mutely clapped, too shocked by the achievement to give it the standing ovation it deserved. But she wasn't done yet. She crossed her arms and pulled the two ends past each other, turning the bend in the middle into a loop, and pulling the ends out again. Suki was actually holding her breath, anticipating what this woman was about to do, just not believing it. Sure enough, the woman then took one iron end and twisted it around in her hand, actually passing it through the centre of the loop, tying it in a knot like a rope. She then grasped both ends and pulled them out again, tightening the knot. The knotted bar was passed around a disbelieving audience. Some refused to accept it was real, that the massive woman on stage was in fact an illusionist and that no one, no matter how physically developed could do what she had just done. But Suki had been sitting close. Her eyes had never left the woman. She'd have seen a switch. And more than that. She'd seen the woman's muscles strain while she bent the metal to her will. She took the bar in her hands when it was her turn, feeling the heat of the knot. Like all others, she tried to twist or bend the bar even a fraction. But it wouldn't budge. It was still solid, only now it was in a different shape. Suki approached the woman after the performance. She actually had to fight her way through most of the audience, all wanting a closer look at this marvel. She was posing for pictures, chatting happily. Letting the occasional person feel her biceps, those who had courage enough to ask. But Suki could effortlessly handle crowds effectively enough and she slipped through to catch the woman's attention. 'Do you do private performances?' The woman responded with a curiously equivocal expression. Suki read it quickly and hastily added, 'I'm hosting a corporate function and I'm looking to hire a variety of more unconventional performers.' 'Sure,' the woman answered, easier. 'I'll give you my card.' She held up her hand as a light-pen unfolded from the invisible tape around her index finger. She touched it to the panel on Suki's sheet-screen. Suki smiled and retreated. She had thought the woman would be a hit at the party and she had been right. At the party guests swarm around her, fascinated by this amazing and beguiling woman. 'It's incredible,' an elegantly suited woman remarks. 'I wonder if she's really as strong as she looks.' 'She must be.' This from a similarly elegant man. Younger than the first woman but quite clearly into her. The fact that he's been following her around the party since they were first introduced does nothing to detract from this indication. 'I mean, our strength comes from the muscles and it's quite clear that her muscles are considerably larger than ours.' 'You know, she's not a real primitive,' another man, older and more self- possessed. 'She's exactly the same as you and I. It's just that she's chosen to have her physique radically altered. Apart from that, there's no difference.' 'But she'd be stronger. Her body is infinitely more powerful than anyone else here.' 'Oh certainly. I only mean that she's not the medieval being she appears to be. She may have the body of an early bodybuilder but in all other respects she's a modern woman.' 'I think it's kind of sexy,' the woman remarks. A younger girl beside her giggles. She is less elegant and more obvious than the older woman. Her make-up and pheromone-enhancers are woefully overdone; her dress chosen to display her own prominent breasts. From all she has said this evening, it is apparent that the she truly is the bimbo her appearance suggests. Her IQ is lower than her bra size. Not that she's wearing a bra. 'Can you imagine what it would be like bedding her?' the younger man wonders. From the wistful expression on his face as he eyes the augment's fabulous muscles, it appears quite clear that he's doing just that. 'She'd kill you in the act,' the older man sneers. 'But what a way to go,' the woman agrees, just as aroused as her admirer. 'If I had to choose a method of execution then I can't think of one I'd more rather than being supped insensible by this gorgeous freak.' The younger girl has apparently had all she can take of this. With a final 'Uew,' and a wrinkle of her designer-nose, she leaves them. The younger of the two men hopes that the other will follow her and leave him alone with his conquest once more. The older man clearly wants to bed the bimbo, his eyes haven't left her mammoth chest once, even when encountering the amazing augment. The older man stays however, turning his attention onto the older woman. He raises an eyebrow at her admission. 'Really?' 'God yes. She could snap you in half with the sheer excess of her passions, crush you within her vital grip, and still make you beg her not to stop.' He turns back to the gorgeous freak in question. Supped to death? A curious concept no doubt, and not without its appeal. 'Did women really use to look like this?' the younger man says, shaking his head in wonder. 'Yes. Incredible though it seems today. Men too, in fact.' 'I didn't know they were capable of such physical reconstruction back in the twenty-first century. The technology isn't that old.' 'It's not,' the older man explains. 'Back then they used to use a combination of drugs and machinery.' 'But surely, cybernetics was later than that too,' the woman protests. 'No I mean they used machinery to help alter their bodies. I'm not quite sure how it worked but it was something to do with damaging the muscle and then the body would heal - only when it healed it was better and stronger. They'd overstrain it so when it recovered, it had to become more powerful to compensate for the exertion placed upon it. Then they'd damage it again and it would reheal even stronger.' 'Seems a bizarre method of self-improvement,' the younger man remarks. 'It seems a very long and laborious process. Not to mention hard work.' 'Perhaps,' he says. 'But you can't deny the results it had in reshaping their bodies. It was considered a higher state of physical being and a major accomplishment. It was also a strength of mind, not just the body. Anyone who could achieve that kind of physique had to be dedicated and disciplined. They had to have amazingly strong will. They called it pumping iron. I suppose because the machinery was made of iron. And also working out. I guess because they were working out a better physical impression.' He nods, glad to be impressive with his knowledge. He takes a sip of his drink and ponders for a moment or two. It makes the younger man wonder whether he has a tin-net secretly hidden, trying to gain favour only without admitting to artificial assistance. Whether this is so or not, the man continues. 'Actually bodybuilding began in the twentieth century, though it was extremely obscure for a number of years. It became more and more accepted, and then it became the norm. Eventually most of Old Americans took it up at one level or another, working out was considered just another part of the daily routine. It was as natural and normal as taking a shower or brushing your teeth. Those as muscular as our gigantic friend here were more unusual, but you were considered highly freakish if you didn't possess some level of discernible musculature. 'There are always odd-balls and rebels in any society, but when they are the physically weakest members of that society as well as the socially weakest, the history books don't give them much coverage. They really aren't that significant.' 'So this woman wouldn't be considered normal, even back in the twenty-first century?' the woman asks, truly fascinated by the whole subject. 'Well, people wouldn't give her a second look because everyone had muscles. They might remark that she was particularly well developed or that her biceps were especially large, but she wouldn't be considered in any way unusual.' 'Other than being more attractive than the average woman on the street?' the woman adds. 'Quite possibly. However, you do have to remember that this is a modern woman, not like the old-fashioned bodybuilders back then. Her muscles were reconstructed to look like that. They were grown in surgery.' 'Actually she's a purist,' a soft but authoritative voice cuts across. Suki steps up. 'She doesn't believe in artificially constructing muscle.' 'You mean she built herself up the traditional way?' 'Sweat and hard work,' Suki confirms. 'Purists consider surgery to be cheating. They say it's pointless to get the results if you aren't prepared to work for them. Also there's the consideration that artificially augmented muscle doesn't have the same density as that which is built through proper diet and training.' The woman turns to the muscular wonder on display, all the more impressed by her. 'Do you want to touch her?' Suki offers. She looks as though her desire will overwhelm her. 'May I?' She does so, stroking the hard, warm flesh with obvious relish and an understated but irrepressible elation. Suki offers the same to the two men but both refuse. The older looks a little distasteful of the prospect. The younger looks more intimidated. He is apparently fascinated and aroused by the woman but Suki cannot prompt him to reach out and touch. Doubtless he will later kick himself over the missed opportunity. 'There was actually a discrepancy between the genders back then,' Suki tells them. 'Really in what way?' the younger man asks. 'Strength. Men and women weren't naturally equal in their physical capabilities. Society didn't have the same equilibrium it does now, that wasn't achieved until later.' 'Who was stronger? Men or women?' The older man tuts, obviously unimpressed by his lack of historical knowledge. 'Women of course,' he tells him. 'Women dominated society back then. They just used men to do all the menial tasks, the day to day stuff like going to work and such. Women used to actually run the household and bring up the children, men were only allowed to help, and only at the prompting of their wives. 'And women also had far more powerful bodies than men. They were the only ones who were capable of sustaining a life within their own bodies. They were the only ones capable of giving birth. 'Actually, it was men who were stronger,' Suki says. 'Really? How bizarre,' the younger man remarks. 'But look at the broadcasts from that era,' the older of the two protests. 'Women were everywhere. They were worshipped by society, everything about them was idolised.' Suki shrugs. 'Even so. On average, men were physically stronger.' He accepts this, if a little reluctantly. 'Truly bizarre.' The woman is currently stroking the bodybuilder's biceps, her hands lovingly cupping around the huge bulging limbs. She's shuddering as she does so and paying no attention to the conversation. When she finally finishes she is flushed and unable to contain her blush. She meets the older man's eyes with obvious intent and wordlessly makes an invitation that he isn't about to refuse. The younger man sees the exchange and swears to himself. He makes an excuse and seeks out the voluptuous young bimbo he'd earlier met. Not his first choice perhaps but he'd still rather have a participant for his nightly sexual activities. He swears again when he sees her flirting shamelessly with one of the pink bar-staff. His skills at reading social signals appear to be way off, as usual. Maybe he should get a tin-net fitted after all. It was after the party, a success all around as far a Suki was concerned. She bid each of her guests a fond farewell (many in fact leaving with different partners to those they had come with, a true sign of a successful party.) She sent them off with a long goodnight kiss which, combined as it was by drugs and alcohol, had many a heart aflutter. Practice makes perfect as they say. As the cleaners made short work of the mess, the band folding their instruments and equipment back into their briefcases, Suki went over to the still bound bodybuilder. She smiled and removed the blindfold. 'You were right about this,' she told the woman. 'It helped people, it really did.' 'Well, my physique is intimidating. There's something about being blindfolded that allows people to watch me without feeling threatened.' Suki reached up and began unscrewing the clamp that held her cuffs to the chain. The metal was thick and solid, the leather laced with threads of it and hardly weak. Even so, the woman was hardly weak either. 'I would have thought you'd be able to rip yourself free,' she remarked. 'I mean, I've seen you do things more extreme than that.' 'I probably could. I wouldn't though, these are genuine antiques. They're worth a small fortune.' With the chains removed, she unclamped her arms from the leather bindings and put the thick cuffs reverentially into their case. She rubbed her arms. They'd been suspended for several hours and were naturally feeling numb. Suki was watching her as she moved. She gave the hostess a curious smile. 'What is it?' 'It's just that I wanted to ask you something,' Suki began, truly nervous for the first time that evening. 'I was just heading to my private rooms now. These guys can clean up OK. I was just wondering if you'd like to join me.' She understood. Her expression became a little awkward. 'Oh. I'm sorry but no. Please understand, it's just that I don't do that. I mean that I'm only into men, you see?' Suki nodded, holding her hands up to show it was OK and that no offence had been taken. 'That's fine. No problem. It was just a thought.' The bodybuilder slipped into normal clothes, pulling them on over her metallic bikini. 'Actually, so am I normally,' Suki told her. 'What?' 'Men. Normally I only go for men. It's just that you're - well. I could hardly pass up the opportunity, that's all. I know I'd hate myself if I didn't ask.' 'OK,' she said. 'Actually, if that's the case, I have a friend you might like to meet. A guy. Let me give you his number.' Suki's expression turned to amazement at this. 'There are men who look like you?' she asked, utterly incredulous. She shrugged. 'A few. Actually I used to help train him.' She gave the hostess the number, who clutched it to her chest as though it were something precious. She gave the staff her last instructions and bid those hired for the night a fond farewell. The bodybuilder gave Suki a formal handshake and said thanks. Suki disappeared - no doubt to ponder all that had transpired that evening. She then finished sorting her few things and headed over to where the barman was finally finishing closing his machinery down. He had swept a robe around his nakedness but his skin still held that strange blue tinge. 'Don't suppose you could find me a bottle of something?' 'For you, I wouldn't dare say no.' She smiled. 'I may look fearsome, but I'm actually a really nice girl when you get to know me.' He cracked two beers, offering her one. He smiled, sweet but meaningful. 'Did I just hear you say that you're only interested in men?' She repaid his flirt with a wink and tapped her bottleneck again his. 'Cheers.' 'Cheers.'