The Fruits In This Case, Melons of Victory by Miranda Whoever wins, your girlfriend's melons are gonna get squeezed "Just have a seat over there, honey. As soon as I dispose of 'thunder thighs' here, we can get done to showing her how a real woman does it." 'Thunder thighs'? I know my legs are not the 'pencils' that pass for thighs in Hollywood these days, but really. Actually, they are very full and firm, as well as being beautifully shaped and tapered - in other words, perfect. Especially for squeezing the stuffing out of hot shot guys like you. I'm accostumed to getting calls from men asking me about wrestling/fighting, but usually it's against their girlfriend, or whatever. You must figure you need the extra boost for her to fight me in front of your girlfriend. I was certainly glad when we met at the coffee shop that I asked to see Shaylan's picture. It led me to insist on my own stipulation involving your girlfriend if I won the match. At 6 feet and 200 well-muscled pounds, you are one of the bigger guys I have faced in a fight, but your cockiness is also my biggest advantage. Guys as big and tough as you just can't imgine yourself losing to one as especially sexy as I. You figure your size and strength are more than enough to handle my kickboxing skills. I loved it when you insisted on going ahead even after hearing of my expertise in this area. Shaylan, sits on a stool as you loosen up and flex. What a showoff! No matter, that just means more fun for me. I stare at you calmly, my face showing no indication of how much I'm looking forward to whipping your ass. When you're finally ready, you turn around, a dopey overconfident grin on your face. I take off my minirobe so you and your girlfriend can see how hot I look decked out in my (*) string bikini. Like most guys, your jaw drops when you get the full picture for the first time - all 5'9", 150 lb of it on a curvy 36D-26-38 figure. For the first time tonight, I turn to look at your girlfriend and smile. "Hope you like what's waiting for you," I tease. "'Cause I'm certainly looking forward to getting with you." Shaylan just turns away. When I look back at you, your mouth still looks like it could take in a skyscraper. "Uh, this was susposed to be a fight," I continue. "Not a yawning competition." You finally close your mouth, look over at your girlfriend and nod, then start to walk toward me. Just as you bring your arms up in a fighting stance, I snap a sharp left between your hands that flattens your nose. You stagger back with a howl, both hands over your nose. I step back and look at Shaylan. "I hope he's a better finisher than starter," I taunt. She barely acknowledges me, instead yells support and encouragement to you. No matter, the fun has just begun. You approach more tentatively this time, your hands already up high. When I feint another jab you hop backwards warily. Instead of following you in, I patiently wait for you to advance forward. When you see me make no further attempts, you stick out a pawing jab. I just ignore it. Not getting any reaction you move a bit closer and try again. Getting impatient, you lean forward and throw a wild right, which I easily avoid. When you try another left, I block it with my right, throw a straight left jab to your chin, and before you can recover I throw a spinning backhand right to your mouth. The blow causes you to spin away with another loud cry of pain. I again let you recover. I smile inwardly when I see the combination of anger and embarrassment in your eyes. Now is the time you are most likely to do something really stupid to try and appease your unsettled male pride. Sure enough, you rush at me and throw a quick left-right combination at my head that I easily avoid. You follow those moves by trying a snap kick at my midsection. I smoothly grab your leg to smother your attempt, then sweep your other leg to send you flopping down to the padded floor. When I look over at Shaylan, her face is full of concern as she clenches her fists and continues to yell encouragement that is now tinged with desparation. She wouldn't sound like that if she knew what was coming. But business before pleasure as I refocus on you. I move in again and start feinting a series of left jabs to your head, as if trying to measure distance. I time them so that you have a chance to get the rhythm. Sure enough, just when you think you've got the timing down, you try to throw a right over the jab. I quickly bring back my hand to block the punch and drive my own right to your midsection. With an explosive grunt you double over. While you're still bent over, I slide to my left, bring up my right foot and thrust it into your side, knocking you down. You roll over several times to try and get away, but I move in when you are on your hands and knees and deliver a solid kick to your ribs causing you to flip over onto your back. Shaylan is now looking on with disbelief, her hands over her mouth. When I look back at you, you are unsteadily getting to your feet gasping trying to get air back into your lungs. I wait until you are upright before moving in again. I can see the pain mixed with doubt and confusion in your eyes. You can't believe how fast I am, and you couldn't imagine how hard my blows would be. Your eyes move down, and you seem to be focussing on my midsection. I am surprised by the way you are staring, because during the initial interview, and from looks of Shaylan, I'd say your a 'breast' man. Not that I care, since one part of my body is just as perfectly beautiful as another. Suddenly, you bend down again and charge at me. It then comes back to me that in discussing this fight, you kept going on about how you wanted to be a wrestler. I am able to get my hands down to take the force out of your shoulder block. But you are still able to get your arms around my waist and force me back to the wall. Angered that I let my vanity diminish my focus, I drive my right knee up into your chest, producing a loud grunt and loosening the grip of your arms. I then clasp my hands together and chop down on your back. With another loud grunt, you slide down to the mat on your left side. Since you like wrestling, I decide to show you a few of my moves. I use my foot to push you onto your back, I then do a leg drop across your upper chest. When you bring your arms up to your chest, I do an elbow drop into the bit of your stomach. After you roll away clutching your pained guts and moaning, I move in behind you and grab your hair. I pull your head back between my 'thunder' thighs, cross my ankles, and squeeze your head. You feebly claw at those shapely crushers, as your moans are swallowed up by my fleshy quads. After giving you several minutes to truly appreciate the size and shape of my thighs, I release the scissor-hold, roll away and get to my feet. As I watch while you slowly struggle to stand up, I decide that this farce has gone on long enough. It's time to get what I really came for. A series of lightning fast kicks up to the muscles of your arms and shoulders, leave them numb with pain. Unable defend your self or launch a counterattack, I move in to start breaking down your abdominal wall. Jarring punches from both hands pound into your abs from your waistband up to your ribcage. I delight in the explosive grunts as each blow drives home. Your six-pack is quivering as each punch is able to penetrate deeper into your body. Slashing hooks rip into your obliques making you look like a rag doll as you bend from side to side around each punch. The force of the punches has sent you staggering back across the room. This won't do. You need to be in front of your girlfriend for your defeat. I grab you by the shoulders, lean back and monkey flip you back across the room. I spring back to my feet and leap over to you. I reach down, grab you by the shoulders, lift you up and throw you back into the wall to the right of your girlfriend. "Now I'll show you why I have 'thunder' thighs," I annouce to Shaylan. She is watching with her hands pressed together over her mouth and nose. I don't know if you have ever done this before, or if so, how often, but the expression on her face tells me she is not accustomed to seeing so thoroughly whipped. And the fact that it's another woman is making it even harder for her to take. When I look back at you, you are struggling to breathe and stay on your feet. In your face I see a mixture of pain, embarrassment and desparation. Seeing both of you so completely unnerved helps stoke the flames I need to power more blows. I press my left arm across the top of your chest, then use my right leg to 'thunder' my knee and thigh over and over up into your chest and midsection. Soon your head is hanging down, jerking spasmodically when another blow drives home. I then throw a jolting right to your midsection. I use the follow through to spin and drive my left elbow into the same spot before you can fall forward. A right uppercut to the solar plexus doubles you over again. I then drive my left into your right kidney, sending you to your knees. I kick you in the side with my right foot flipping you over onto you back. I kneel down onto the floor beside you and grab your right arm to turn you around. I then lift you up so that I can slide my left leg under your back. Next, I drop my right leg across your pummelled midsection. I once again cross my ankles, then squeeze with my 'thunder thighs' bringing a loud cry of complaint from your trembling lips. Unable to bear it any more, Shaylan hides her face completely in her hands. "Tell her she has to look," I order you. But that imperative is wasted, as you can barely breathe, let alone talk. So I address my comments to her. "You have to look, honey, or I'll just squeeze harder. That gets Shaylan's attention, as her head slowly comes up. Now I liked her even more. She has watched her man get pummelled and humiliated by another woman, but although clearly upset by it, was neither crying her eyes out or cursing at me and promising revenge. My feelings toward her cause me to do something I normally don't. While not intending by any means to release the scissors hold, I decide not to apply it with full force. Normally that would have meant a long, drawn-out finish to the match. But there is something I want, and the sooner I got to it the better. I brace myself on the floor with my left hand and grab your head of hair with my right. I pull your head forward until your nose and mouth are smothered by my breasts. I then slightly increase the pressure. I let out a sharp moan as your sweat covered face weakly jostles my magnificent mounds as you fight to get desparately needed air back into your body after my scissors has squeezed it out of you. As your efforts weaken, I look up at Shaylan. "It won't be long now," I predict. "Which is too bad for him, because he really seems to be enjoying this hold." After she glances down at your swollen crotch, her face flushes with anger, but I'm not sure if it's at you or me. No matter, because after one final squeeze, the burst of pain combined with the lack of oxygen sends you into unconsciousness. "Okay, honey. Off the stool," I order calmly after I release the holds. After seeming to not hear, Shaylan slowly climbs down. "Now, while I get loverboy here into position, you can get out of those clothes." She responds by staring at me in disbelief. "I hope you didn't think I was just being a tease," I continue smiling. "Your boyfriend agreed that you, or as much of you as I could handle, would be my prize if I won. And as you can see, despite what he probably boasted, he isn't man enough to handle me." After staring at me silently for another couple of seconds. She walks past me and goes to the far wall. I go over to my bag and grab two sets of handcuffs. I drag your sorry, limp body over to the stool, and prop it up against it. I then use one pair of cuffs to lock your arms against its legs, and use the other pair to shackle your ankles. I lightly slap both sides of your face a couple of times to bring you around. Satisfied that you are sufficiently aware of your surroundings to enjoy the coming attractions, I turn around to she if Shaylan is ready. "Well, he's set. How about y - ?" It's now my turn to catch skyscrapers. The auburn-haired beauty is standing with her head down wearing only her shoes, and a pair of black panties. Her arms are folded across, but unable to hide an incredible pair of full round mounds. Somehow the clothes you had been wearing had managed to hide the magnificence of what I was now seeing. And oh yeah, beneath her arms I can see a leather strap that is part of some kind of harness that goes up around her neck and behind her back. You had obviously planned something wild when you thought you would be able to best me. Because of my silence resulting from trying to take all this in, Shaylan, briefly lifts her head. When she sees me staring at her, she blushes and drops her head again. I take a deep breath to refocus, then move slowly toward. "No need to be embarrassed, Shaylan," I say softly. "We're all just here to have a little fun. It's okay for you to unfold your arms." She vigourously shakes her head in response. Once I get in front of her, I gently reach out with my right hand to stroke her face, but she turns her head away. When I try to unbuckle the strap of the harness, she firmly, but without any other signs of malevolence, moves my hand away. This obviously is going to require special handling. I go back over to my things, and put on my four-inch heels. I then take off my bikini top and head back to Shaylan. Normally, the disrobing would be part of a teasing and dancing routine, but I'm totally focused on what I need to do to gently crack that shell so that I can fully enjoy the pleasures within. I walk back to Shaylan, and move in behind her. I can feel her tense up without even touching her. I begin by gently massaging her shoulders and upper arms. At first nothing changes, but after a few minutes, I can feel the muscles begin to relax. I then move both hands down her back and over her ribs. I can feel her start to tremble as my hands slowly move around to her front. Trying not to make any sudden movements, I gradually make my way to the strap beneath her breasts. I gently pull it down and away from her breasts as far as it will go. I then slowly undo the buckle and loosen the strap. I go back to her neck and find another buckle there that I also undo. I am then able to ease the neck straps out from under her arms, remove the harness from her body and toss it into the corner. I go back to Shaylan's shoulder and start massaging again. While I continue to carass her right shoulder with my right hand, I slowly move my left hand down her left arm. When I feel her begin to tense up again, I slow the movement. I go back to her left shoulder and begin making long strokes down her arm. When I feel Shaylan's tensions ease, I extend the strokes down to the elbow, then slowly down to the wrist. I can sense her nervousness, but she also seems curious as to what I'm going to do. When I reach her wrist, I gently grasp it with my hand. Again, meeting no resistance, I begin to lift it from her breast. That action brings a soft gasp from her lips, but she does not tighten her arm to stop it. I bring Shaylan's arm up to my mouth and gently kiss the inside of her wrist. This brings an even louder gasp. I then proceed to slowly lick her palm and the tips of her fingers. I ease the arm back down toward her body. I slowly press her hand down onto the soft warm skin of her stomache bringing a long moan of pleasure from deep within her. Making sure I don't do anything that might halt or reverse the progress I have made, I move her arm in circles across around her bellybutton making sure not to go past the top of her panties. I then do the same thing to the right arm. By now the nervous tension from before has been replaced by nervous anticipation, so I am able to move Shaylan's hand more freely. Tuned into her rising sexual excitement, I resist the urge to speed things up. I lift up her right arm and bend down to start kissing it just below the elbow. Although hungry with desire, I am able to teasingly work my way down to the her hand. As with the other one, I lick the palm and finger tips. I then place it on the back of my hot neck, causing me to moan in pleasure. I teasingly move my hand back down Shaylan's right arm. As I get closer to her shoulder, her breathing becomes more rapid. Going past her collarbone to the top of her chest brings a moan that is quickly cut off. It sounds like she has bitten her lip to try and control her escalating arousal. I move my hand back across the top of her right breast and around the outside of it. I bring my hand up and gently squeeze her right orb. Shaylan suddenly frees her left hand from my wrist, and instead grabs my arm. She thrusts my hand down between her thighs that are rubbing urgently together. When she pulls it back up to her damp panties, she begins to shake and moan loudly with pleasure. Her sudden movements unbalance her, nearly causing us fall over. I am able to keep control of my legs long enough to ease Shaylan down to the mat. I manuevre her so that her head is toward you. I ease myself down so that I am straddling her hips. Her brown eyes are staring intently back at mine, demanding. I respond by moving my hands back to those pleasure-filled orbs. I stroke, squeeze and caress the heavy, supple flesh, while also twirling and flicking those rock hard nipples. Shaylan puts her own hands to work. She starts on my thighs, moves up to my waist, and finally toward my own magnificent mounds. We are both earnestly using our hands to stoke pleasure in each other's heaving bosoms. Shaylan then slides her hands around to my back and up to my neck. She pulls my head down so that my face is on the velvet smooth skin of those fully rounded orbs. I now use my lips, teeth and tongue to do what my hands had been doing before. Hearing your grunts of protest, I look up reminded that there's actually someone else in the room. "So, shall we do something special for your boyfriend?" I ask looking back at Shaylan. For the first time, she speaks directly to me. "Oh, forget him," Shaylan purrs softly. "This is just about you and me." Delighted, I bend down and begin kissing her. While our lips and tongue restoke our fires of pleasure, Shaylan moves her hands slowly down my back. When she gets to my ass, she presses her hands down urgently while squirming underneath me. Getting the message, without breaking the liplock I rise up from my straddling position, then stretch out my legs one at a time so that the length of my body from my thighs up to my juicy jugs is pressed down on hers. We then break the kiss, and while looking deeply into each others eyes, begin to rub and press our bodies together, taking great delight in the contact of our breasts, stomach, pubic mound and thighs. Shaylan brings her hands back up to my back, and makes a special point pressing down there to get the most feeling from our mounds massaging each other, even though that action is restricting her breathing. The grinding together of our bodies accentuated by the heaviness of our orbs brings us to a long, loud simultaneous orgasm. After spending several minutes lying in each other's glowing embrace, Shaylan slowly gets to her feet and heads over to you. She bends down in front of you and whisper urgently. At first, you don't give any response. After repeating the message and getting the same result, Shaylan says, "If I have to ask again, you may wind up staying here for quite awhile." After looking helplessly at her for several seconds, you turn to me, a pleading expression clearly visible on your face. After a slight smile, I turn away, leaving you on your own. In short order, I hear you whisper something. When I look back, your head is hanging down. "If you want, you can release him now," Shaylan offers. While she gathers her clothes and the harness, I do as she suggests. As soon as you are freed, you clumsily get to your feet and quietly make your way to the door where you open it and wait. Dressed, and holding the harness in one hand, Shaylan comes back to me. "Thank-you," she says softly. Then a little louder she continues, "I'll be calling soon." After giving me a kiss on the cheek, she heads toward the door. When I turn to watch her go, I notice that you have gone, so I get to focus on her walk as she leaves.